(DVDfull pro-shot)
COVER BY AFTRADES!!!
NTSC
Lineage:
In-House Pro-Shot Feed > PAL-M Master VHS > Samsung SV-5000 > NTSC > Datavideo TBC-1000 > Sigma RealMagic DVR > MPEG2 Transport Stream > SpruceUp > DVD
Navigation:
Type: DVD
Region: None
TV System: NTSC
Video Stream:
Type: Interlaced MPEG2
Bitrate: 4.000 Mbps
Framerate: 29.970 Hz
Resolution: 704x480
Aspect ratio: 4x3
Audio Stream:
Type: MPEG Audio
Bitrate: 384 Kbps
Number of channels: 2
Sampling Frequency: 48khz
Sampling Bits: 16
01 - Pretending
02 - No Alibis
03 - Running on Faith
04 - I Shot the Sheriff > White Room
05 - Can't Find My Way Home
06 - Bad Love
07 - Before You Accuse Me
08 - Old Love
09 - Badge
10 - Wonderful Tonight
11 - Cocaine
12 - Layla
13 - Crossroads
14 - Cocaine
Geetarz Comments:
DVD-R sourced direct from VHS master recording.
There's a story behind this tape, albeit one I'm not at liberty to tell ;)
Soundboard, pro shot. Source tape shows its age and some defects - still, you won't find better of this show.
PAL-M is the TV system used in Brazil since February 19, 1972.
In Brazil, PAL is used in conjunction with the 525 line, 30 frame/s system M, using (very nearly) the NTSC color subcarrier frequency. Almost all other countries using system M use NTSC.
NTSC being the 'natural' choice for countries with monochrome standard M, the choice of a different colour system poses problems of incompatibility with available hardware and the need to develop new television sets and production hardware. Walter Bruch, inventor of PAL, explains Brazil's choice of PAL against these odds by an advertising campaign Telefunken and Philips did across South America in 1972, which included colour test broadcasts of popular shows (done with TV Globo) and technical demonstrations with executives of television stations.[1]
PAL-M signals are identical to North American NTSC signals, except for the encoding of the colour carrier. Therefore PAL-M will display in monochrome with sound on an NTSC set and vice versa.
PAL-M is incompatible with 625-line based versions of PAL, because its frame rate, scan line, colour subcarrier and sound carrier specifications are different. It will therefore usually give a rolling and/or squashed monochrome picture with no sound on a native European PAL television, as do NTSC signals.
PAL-M being a standard unique to one country, the need of to convert it to/from other standards often arises.
* Conversion to/from NTSC is easy, as only the colour carrier needs to be changed. Frame rate and scan lines can remain untouched.
* Conversion to/from PAL/625 lines/25 frame/s and SECAM/625/25 signals involves changing the frame rates as well as the scan lines. This is achieved using complicated circuitry involving a digital frame store, the same method used for converting between NTSC and the 625/25 standards. The fact that the colour encoding of PAL-M and PAL/625/25 is the same does not help, as the entire signal goes through an A/D-D/A conversion process anyway.
Accordingly, the 'conversion' process here is relatively straightforward, and non-destructive, unlike PAL<>NTSC transcoding.
Additionally, since PAL-M is not a legal standard for DVD-Video discs, Brazilian DVD releases are all NTSC of necessity.
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